What I like: I noticed her a few days ago on a movie called “Caribe.” She’s got this nice full lips, dark hair, perky tits and beautiful skin. She had a couple of nude scenes in the movie and I’m glad it did ’cause otherwise I would have thought she looked differently naked. I don’t know how old shes is, but it seems she has an ageless smile. It is unfortunate, in a way, that our experiences sometimes shape my thoughts in negative ways so I’m just going to her type of personality is not the one I would imagine her to have.

What I don’t like: I wish her eyes were a different color. I can’t say much ’cause there aren’t enough photos of her out there.

My report: Eva Mendes is in the movie, that itself will make some scenes pleasing to the eye. Luckily enough the movie was all around good. I had no idea the story was going to end up the way it did and I like it that way. Eva Mendes man… I really like her looks.

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About it: When a man who specializes in cleaning crime scenes washes away the evidence of a murder before the crime is reported, he soon becomes drawn into a deadly mystery in this thriller directed by Renny Harlin, and starring Samuel L. Jackson. ~ Jason Buchanan, All Movie Guide

My report: how can you go wrong with this movie? Its got action, based on a true story, some women to look at… a well done movie. It seems like these guys never got breaks from cops and death. I doesn’t seem like the lows are really worth the highs.

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About it: Martin Scorsese explores the life of organized crime with his gritty, kinetic adaptation of Nicolas Pileggi’s best-selling Wiseguy, the true-life account of mobster and FBI informant Henry Hill. Set to a true-to-period rock soundtrack, the story details the rise and fall of Hill, a half-Irish, half-Sicilian New York kid who grows up idolizing the “wise guys” in his impoverished Brooklyn neighborhood. He begins hanging around the mobsters, running errands and doing odd jobs until he gains the notice of local chieftain Paulie Cicero (Paul Sorvino), who takes him in as a surrogate son. As he reaches his teens, Hill (Ray Liotta) is inducted into the world of petty crime, where he distinguishes himself as a “stand-up guy” by choosing jail time over ratting on his accomplices. From that moment on, he is a part of the family. Along with his psychotic partner Tommy (Joe Pesci), he rises through the ranks to become Paulie’s lieutenant; however, he quickly learns that, like his mentor Jimmy (Robert DeNiro), his ethnicity prevents him from ever becoming a “made guy,” an actual member of the crime family. Soon he finds himself the target of both the feds and the mobsters, who feel that he has become a threat to their security with his reckless dealings. Goodfellas was rewarded with six Academy Award nominations including Best Picture; Pesci would walk away with Best Supporting Actor for his work. ~ Jeremy Beday, All Movie Guide

My report: first of all, I have to say that even though it was a good movie, the best part was discovering Maya Zapata. She’s a beautiful woman like the ones I like. There was a nude scene of her and she had me wanting more. As far as the movie goes, it is interesting and full of drama. The main guy is stupid for sleeping with his wife’s half sister… in the same house where all three are living, worst yet, he gets the sister-in-law pregnant. I understand Maya looks good, but at least do it once and when she’s moving out…

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About it: Esteban Ramirez’s melodrama Caribe stars Jorge Perugorria as Vincente a man who has gotten himself into difficult positions in both his personal life and his financial life. He engages in an affair with his sister-in-law, while also fielding offers from large oil companies to buy his land. ~ Perry Seibert, All Movie Guide

My report: I didn’t pick this picture and naturally I fell asleep while attempting to watch it. Basically the film was about a woman dying for one and a half hours. I’m not making fun of cancer patients, just the movie. The humor was not good. This film has a very specific market. Maybe people in their thirties, with kids, that have gone through the same, and even they may not find it funny either.

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About it: Director Steve Stockman takes the helm for this semi-autobiographical comedy drama about an estranged family that comes together for one last goodbye, and finds their assumedly brief farewell inexorably dragged out for two excruciating weeks. Aging matriarch Anita (Sally Field) is dying, but before she goes, she has requested that her four grown children travel back home to visit their ailing mother on her deathbed. Eager to gain a better understanding of the dying process, daughter Emily purchases a variety of self-help books on the subject. Though brother Keith (Ben Chaplin) soon arrives determined to float through the process in typical L.A. Zen mode, Emily contends that the only way to be prepared for the future is to consider every detail that can go awry. When PR executive Barry arrives intent on getting some work done before death comes knocking, it appears as if he is more concerned with getting broadband Internet in the house than actually tending to his mother. Meanwhile, youngest brother Matthew sets at the sidelines biding his time as his unlikable wife, Katrina, callously speculates on which of the dying woman’s luxurious jewels she will be inheriting. Now, as Anita begins to look back at her life while reflecting on the time spent with her family, the question of who will hold this family together once she is gone casts a melancholy shadow over her fond memories. ~ Jason Buchanan, All Movie Guide

My report: I can’t imagine how it must feel for a soldier to return home after risking his/her life fighting and not receive a warm welcome or any type of appreciation. I don’t know if I could ever do that. I’m just not good at doing things for the sole purpose of someone elses’ benefit or sacrificing my life for a little money. I respect those who do it and I wish them well. This was a good and entertaining movie. You do end up wondering what happens to everyone at the end of the movie. I guess there is a second part.

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About it: A 23-year-old Peruvian Navy veteran struggles to re-integrate himself into society only to hit a series of roadblocks both societal and psychological, in the feature directorial debut from Peruvian filmmaker Josue Mendez. Santiago Roman (Pietro Sibille) has just returned to Peru following six years of military service. Coolly received by his parents and unable to find a stable, well-paying job, the dejected Santiago’s attempt to further his education is quickly squelched when he discovers that his military pension doesn’t offer the money needed to pay his way through school. Though Santiago eventually lands a low-paying job as an inner-city taxi driver, his disdain for the scum of the city finds the formerly virile young soldier sinking into a deep-rooted depression. When a group of Santiago’s former military buddies hatch a plan to rob a local bank, the conflicted veteran must choose between an honest life of poverty and an act of desperation that could end in tragedy. ~ Jason Buchanan, All Movie Guide

My report: now this was a realistic movie. I’ll just spoil the end and say that everyone dies at the end. None of that heroic crap on this one. The whole movie was in black and white and I just hope there isn’t a game out there like the one they showed on this movie.

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About it: An aimless 20-year-old with a penchant for following the rules receives a mysterious set of instructions that lead him down a path from which he may never return in director Géla Babluani’s tense tale of death and chance. Sébastien has come into possession of a train ticket and a mysterious set of instructions. Though he is unsure of exactly what fate awaits him when he arrives at his destination, one thing is certain: these items were most certainly not meant for him. Bored by his uneventful existence and hungering for something new, Sébastien boards the outbound train and takes his first bold steps into an unknown future. But the world can be a cruel and unforgiving place filled with unfeeling men to whom human life means little more than a lost wager, and if Sébastien is to make it through his harrowing journey alive he must keep his wits about him and pray that luck is on his side. ~ Jason Buchanan, All Movie Guide

My report: what can I say, another good Asian fighting film. I like the martial arts and the women in these films. Always elegant and graceful. I consider myself so ignorant of the Asian culture that it is something I admire very much. Many things are different about that other Orient, and I like paying attention to the details in the movies. Things like the clothes the people are wearing, the way they look and salute each other, the music, etc.

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About it: A Wuxia adventure out of South Korea, The Legend of the Shadowless Sword is a handsome martial arts epic by Kim Yung-jun (Flying Warriors). The film’s simple story allows for exceptionally creative action sequences about every three to four minutes, while simultaneously building a noble tale full of faith, love, and sacrifice. A beautiful female warrior named Yeonsoha (Yoon So-yi) goes in search of the last, living prince of the Balhae dynasty and its kingdom, overrun years before by the Geordan empire. The prince, Jeong Hyeon (Seo Jin Lee), has been in hiding 14 years as a black market trader, concerned primarily for his own safety and deeply cynical about any thought of going back to retrieve his family’s throne. Yeonsoha, however, proves persuasive, especially in light of the many attempts on Jeong’s life by a gang of assassins. The shady killers are led by a vengeance-seeking Kun (Hyeong Jun-Shin) and his assistant, (Ki-Yong Lee), another sword-wielding babe who gets into plenty of wild skirmishes with Yeonsoha.

The story essentially follows Jeong and Yeonsoha’s efforts to get back to a waiting army of Balhae exiles awaiting a king’s leadership. As the hours and days pass, Jeong gets in touch with the man he once was, a fearless warrior whose exploits on the battlefield are well-known to Yeonsoha, whose connection to the prince seems mysteriously personal. The film’s numerous fight scenes are never redundant, employing all manner of props and ideas for exciting fights. But it’s the performances that really hold everything together, the deep if understated emotions and the excitement of watching two mismatched lead characters slowly realize how important they are to one another. –Tom Keogh

My report: who would have thought Rambo could still be good? The blood scenes were original. I’ve never seen bloodshed like the ones I saw in this movie. Silverster Stalone didn’t try to play a young guy who could still do it all, that was the best part. Rambo was the same GI he’s always been, but wiser and not exactly looking for confrontation. I remember a scene from the old movies were Rambo heals a battle wound by sticking a heated knife inside of him… I didn’t see anything like that on this one and that’s a good thing. No love scenes either, it was all about the the interruption of the legendary Rambo trying to live a peaceful life on his own means. Nice.

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About it: When a group of missionary aid workers in Myanmar disappear into the vast green inferno, vigilante Vietnam War veteran John Rambo (Sylvester Stallone) leaves his job as a Salween River boatman behind to accompany a group of mercenaries on a daring rescue mission. It’s been 20 years since Rambo helped mujahedeen rebels fend off Soviet invaders in Afghanistan, and these days the former soldier lives a simple life in northern Thailand. Meanwhile, the world’s longest-running civil war rages into its 60th year on the nearby Thai-Burma border. One day, human rights missionaries Sarah Miller (Julie Benz) and Michael Burnett (Paul Schulze) show up asking Rambo to guide them up the Salween so they can get some much-needed food and medical supplies to the desperate Karen tribe. According to Sarah and Michael, the Burmese military has planted land mines all along the roads leading into the tribe’s village, making it virtually impossible to reach the tribe via land. Two weeks after Rambo drops the group off in dangerous territory, pastor Arthur Marsh (Ken Howard) arrives with a chilling message: the aid workers never returned from their mission into the jungle, and the embassies refuse to help Marsh and his fellow missionaries find their missing friends. Now, despite the fact that Rambo has long since sworn off all forms of violence, the knowledge that innocent missionaries are being used as pawns in a brutal war leaves him with no other choice than to venture behind enemy lines on his most dangerous mission to date. ~ Jason Buchanan, All Movie Guide

My report: I’ve had these thoughts about starting an organization that helps people live better and accomplish their dreams and after seeing this movie for the second time, I am having the urge to make that happen. So today I’m going to start drafting the organization’s goals. I’ve been thinking about this for a long time and I think it’s time something happens. I don’t think I need to have money to help others. Right now my asset is time and I’m sure I can use some of that to someone’s advantage. I’ll write more about this later on. Good movie by the way. Different and entertaining for the most part.

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About it: One woman decides to change the world by changing the lives of the people she knows in this charming and romantic comic fantasy from director Jean-Pierre Jeunet. Amelie (Audrey Tautou) is a young woman who had a decidedly unusual childhood; misdiagnosed with an unusual heart condition, Amelie didn’t attend school with other children, but spent most of her time in her room, where she developed a keen imagination and an active fantasy life. Her mother Amandine (Lorella Cravotta) died in a freak accident when Amelie was eight, and her father Raphael (Rufus) had limited contact with her, since his presence seemed to throw her heart into high gear. Despite all this, Amelie has grown into a healthy and beautiful young woman who works in a cafe and has a whimsical, romantic nature. When Princess Diana dies in a car wreck in the summer of 1997, Amelie is reminded that life can be fleeting and she decides it’s time for her to intervene in the lives of those around her, hoping to bring a bit of happiness to her neighbors and the regulars at the cafe. Amelie starts by bringing together two lonely people — Georgette (Isabelle Nanty), a tobacconist with a severe case of hypochondria, and Joseph (Dominique Pinon), an especially ill-tempered customer. When Amelie finds a box of old toys in her apartment, she returns them to their former owner, Mr. Bretodeau (Maurice Benichou), sending him on a reverie of childhood. Amelie befriends Dufayel (Serge Merlin), an elderly artist living nearby whose bones are so brittle, thanks to a rare disease, that everything in his flat must be padded for his protection. And Amelie decides someone has to step into the life of Nino (Mathieu Kassovitz), a lonely adult video store clerk and part-time carnival spook-show ghost who collects pictures left behind at photo booths around Paris. Le Fabuleux Destin D’Amelie Poulain received unusually enthusiastic advance reviews prior to its French premiere in the spring of 2001, and was well received at a special free screening at that year’s Cannes Film Festival. ~ Mark Deming, All Movie Guide

My report: It was a good movie. It was entertaining, but there isn’t much I learned from it other than it reminded me that I want to learn to play poker. By the way, $300,000 in cash is not meant to be hidden on dorm ceilings… that wasn’t too bright.

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About it: Director Robert Luketic adapts Ben Mezrich’s best-seller Bringing Down the House: The Inside Story of Six M.I.T. Students Who Took Vegas for Millions to tell the true-life tale of six genius students who used their brains to beat considerable odds. Ben Campbell (Jim Sturgess) may be shy, but his wallflower reputation betrays his inner brilliance. As smart as Ben may be, however, if he can’t pay his tuition he’ll be kicked out of M.I.T. Fortunately, the answer to all of Ben’s problems is right there in the cards. Recruited to join a team of extremely gifted students who have used their mastery of numbers to beat the odds at blackjack, Ben procures a fake identity in order to join the casino scammers and their brilliant leader — eccentric math professor and stats genius Micky Rosa (Kevin Spacey) — in some highly profitable weekend excursions to Las Vegas. Counting cards isn’t illegal, and by using a complex series of signals, this team has cracked the code. Of course, it doesn’t take long for Ben to become seduced by the glamorous Las Vegas lifestyle, and the attention afforded to him by his sexy teammate Jill Taylor (Kate Bosworth) finds him pushing his luck to the absolute limits. Laurence Fishburne stars as Cole Williams, the Sin City security chief who catches on to the group and makes it his mission to expose their lucrative blackjack scam. ~ Jason Buchanan, All Movie Guide

My report: This is a story about religion and the role it can play in our lives. The main character, Natalia, had been a devoted churchgoer all her life. Even though she was married, she never had sex with her husband because she wanted to preserve her chastity. Natalia’s husband and her didn’t even sleep in the same bed and she even went to church every single day. Things changed when she fell in love with the new town priest. All of a sudden she unleashed all the sexual desires she had been suppresing and she even killed to preserve that feeling. Have you ever heard of the quiet guy that ends up blowing up the building? Well that’s what she was.

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About it: The romantic drama Polvo Enamorado tells the tale of Natalia, a young woman who is wedded to the mayor of her Peruvian village. Having once aspired to become a nun, Natalia only married the man because he promised they would never have to consummate their marriage. Natalia learns that her husband has been sedating and raping her around the same time that a new priest arrives in town. She and the priest are drawn to each other, forcing him to question his devotion to his life in the church. ~ Perry Seibert, All Movie Guide

My report: I was only somewhat aware that there was a dictatorship in Argentina and knew nothing about the kidnappings and assassinations. This movie thought me a lot. I always try to guess what’s going to happen next and usually before the movie ends I know how it’s going to end. Well, not this one. I wonder if there are any similar cases about kidnappings in Panama due to its dictatorship era and if so how many are still unresolved.

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About it: Gaston Biraben’s political thriller Cautiva (Captive) concerns itself with what happened to the children of the people killed after the 1970s military coup. Cristina Quadri (Barbara Lombardo) is the model of a perfect student. Smart and affluent, her life is in perfect order until, one day, she is called from her class and made to appear in front of a judge. The judge informs her that her real parents were killed in the ’70s. Cristina is forced to go live with her grandmother Elisa (Susana Campos), who has spent the past 20 years attempting to locate Cristina (whose birth name was Sofia). Although, at first, she is hurt, bitter, and confused, Cristina/Sofia eventually grows to care for Elisa and begins to research the fate of her parents. Captive was an award winner at the 2003 San Sebastian Film Festival. ~ Perry Seibert, All Movie Guide

My report: to me this movie represents the importance of an image. Somehow, the image sometimes become much more important than the package, but what does that say about a person who’s not able to see beyond that package? The image, after all, is where we start our judgment. Not getting pass the image is where the sin is.

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About it: For his first film since 1998’s Twilight, acclaimed director Robert Benton helmed this tense drama written by Fatal Attraction co-scribe Nicholas Meyer and based on the novel of the same name by Philip Roth. Set in the late ’90s at the height of the Clinton sex-scandal, The Human Stain stars Anthony Hopkins as Coleman Silk, a respected professor at a New England college who suddenly finds his life unraveling after a comment he makes about some African-American students is misinterpreted as a racial slur. As the scandal heats up, Nathan Zuckerman (Gary Sinise), a writer researching a biography of Silk, begins to dig deeper and deeper into Silk’s life. Eventually, matters are made worse when an affair with a young married janitor named Faunia Farley (Nicole Kidman) is exposed. But amid the controversy, Silk must struggle to keep his greatest secret, a secret he’s held for the majority of his life, from becoming public. Ed Harris, who previously worked with Benton in 1984’s Places in the Heart, also stars. ~ Matthew Tobey, All Movie Guide

My report: This is about something we all know, but we are made to believe is not really true. It’s about fighting for the interests of a politician and not a country. The film is split into the story of three characters in three different classes. There is the story of the U.S. senator who knows the war in the Middle East has gone wrong and now he pretends to make things right by confessing to the public the government has made some mistakes and proposing a new battle plan. The second character is about a college student who has all the tools necessary to win, but instead is wasting the opportunities in something else. Then finally there’s the story of the African American and Hispanic friends who were born with very little opportunities and have been ignored, in their own country, by the same government who now wants to recruit them to go fight a war overseas.

This is a thoughtful story. It is a contrast between social and economical classes. It’s about Lions (the poor and the brave) being led by lambs (politicians). This is a wake up call.

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About it: Robert Redford directs this dramatic tale of intersecting lives that weaves together the stories of an idealistic professor’s attempts to inspire a privileged student, a former student of the teacher who is wounded behind enemy lines in Afghanistan, and a congressman whose interactions with a seasoned journalist reveal much about the man behind the public persona. Tom Cruise, Meryl Streep, and Robert Redford star in a film scripted by Matthew Michael Carnahan. ~ Jason Buchanan, All Movie Guide

My report: I was excited to see this movie because I have been thinking about Muslim women and how much free will they actually have, but this film didn’t help much. What happened here? This movie had a beginning, but no end. Cual fue la moraleja? It moved very slow. It seemed like all the scenes were dragging. As if the producers tried to make a movie out of something that should have been a 30 minute documentary at the most. I think there was a budget problem on this film. Everything took place in basically two places: a bus and a space next to a stadium about 20′ x 10′ long. At the end of the movie I was left wondering what happened to every single character in the movie. Really, what happened here?

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About it: A handful of girls struggle to make their way into the man’s world of an Iranian soccer stadium in this comedy from writer and director Jafar Panahi. World Cup season is just around the corner, and Iran’s team is playing a game against Bahrain that will determine who will be competing in soccer’s greatest tournament. Nearly everyone in Tehran seems to be abuzz with excitement over the game, through officially soccer in Iran is quite literally for men only — no women are allowed inside the stadium, and women’s interest in the game is severely frowned upon. But that doesn’t stop a number of girls from all over the city from trying to crash the game dressed up as boys; while some succeed, others are unable to fool security, and are sent to a holding bullpen in the stadium where they can hear the cheers of the crowd but can’t see the game. One of the policemen watching over the girls (who range from rowdy tomboys to quiet and bookish types) is sympathetic and keeps them updated on the score and key plays, while another is a petty bureaucrat who suffers the mockery of his “prisoners.” Offside received its North American premiere at the 2006 Toronto Film Festival. ~ Mark Deming, All Movie Guide

My report: It was a different story. It wasn’t about the concentration camps, but the story of a rich Jewish girl who ends up becoming a spy. It was an interesting story. I don’t really know what else to say about it. It wasn’t predictable, but it also didn’t catch my total attention. Maybe because it was in another language…

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About it: Filmmaker Paul Verhoeven returned to the Netherlands after more than twenty years of success in Hollywood to direct this epic-scale war drama based on a true story. Rachel Steinn (Carice van Houten) is a beautiful Jewish woman living in German-occupied Holland during late 1944. Her family members - who have been falsely promised safe passage to Belgium (their names recorded in the ‘black book’ of the title) are instead robbed and slaughtered by the Germans on a premeditated basis; Rachel herself manages to escape by diving into the water and swimming away. She narrowly avoids capture, then joins the local resistance movement. With her hair dyed blonde, Rachel can easily pass for Aryan, and when the leader of the Dutch resistance movement learns his son has been captured by Axis forces, Rachel is asked to use her feminine charms to persuade a German commander to arrange for the boy’s release. Rachel soon finds herself caught up in a dangerous double life as she becomes a sexual plaything for the Nazis while attempting to bring down their evil empire as a spy. Zwartboek was written by Verhoeven and Gerard Soeteman, who collaborated on the 1977 international success Soldier of Orange. Zwartboek received its world premier at the 2006 Venice Film Festival. ~ Mark Deming, All Movie Guide

My report: Diddy can’t act that good, but I can tell he tried hard and I’m sure he’ll get better at it. It made me wonder how I would approach an acting career if I was already famous in another industry. Probably take very small roles so I can get used to it and grow from there… I wish the movie would have been more about succeeding in a business and becoming a doctor rather than just getting a house. I would have extended the story to include those successes and change the buying of the house to just a big defeat. Then the movie would have been about been knocked down and getting up again, and not becoming a raisin in the sun.

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About it: Sean Combs, Phylicia Rashad, Audra McDonald, Sanaa Lathan, and John Stamos all return to reprise the roles they originally played on Broadway in this made for television take on Lorraine Hansbury’s timeless play about a 1950s-era Chicago family longing for a better life. Walter Lee has died, and now his widow Lena Younger (Rashad) is about to receive a $10,000 check from her late-husband’s insurance company. Everyone in the family dreams about the ways their lives will be changed with the arrival of the money, family matriarch Lena - who longs to retire from her job as a domestic servant for a wealthy white family - in particular. Having lived in a one room tenement apartment ever since she and her late husband originally married, Lena is eager to purchase a house of her own and provide her family with a real home. Lena’s son Walter Lee, Jr. (Combs), currently employed as a chauffer, and has recently become taken with the idea of purchasing a liquor store as a means of solving his family’s financial woes. Like her mother-in-law, Walter’s wife Ruth (McDonald) is also a domestic servant for a white family, and dreams of the day she can walk away from her job. While Walter’s sister Beneatha (Lathan) strives to become a medical professional, tuition is expensive and she is currently being pursued by two men - wealthy but superficial George Murchison (Sean Patrick Thomas) and intellectual classmate Joseph Asagai (David Oyelowo). Much to everyone’s surprise, Lena uses the lion’s share of the money to purchase a home in the all-white residential neighborhood of Cllaybourne, splitting the remainder between Walter (for his entrepreneurial endeavor) and Beneatha (for tuition). Around the same time Walter loses his share of the inheritance to a smooth talking con man who claimed he could help finance the liquor store, the Claybourne “home improvement” association makes the discovery that the Youngers are black and sends emissary Mr. Lindner (John Stamos) to try prevent their neighborhood from becoming integrated by buying the house back. Now faced with the prospect of losing it all, Walter considers making a deal with Mr. Lindner in order to recover his losses. ~ Jason Buchanan, All Movie Guide

My report: I wish I could easily find more movies in Spanish like this one. Great story, I think it’s about things many of us have gone through even if it is to a lesser degree. I’ve seen this movie before, but for some reason I remember it having more nudity in it. That was something that I liked about the movie the first time I saw it. It goes to show how much my taste has changed. I’ve become very particular about what I like in a woman. I honestly feel like I can have any woman in the world and so I have upgraded my taste and become much more selective. People can make whatever they want about what I just wrote, but I demand a lot of myself. Shouldn’t I be allowed to ask my other half to try just as hard?

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About it: The romantic foibles of two young couples in Mexico — whose professional success has not led to personal satisfaction — forms the basis of this comedy with serious undertones. Carlos (Victor Hugo Martin) is a student of new age spirituality, while his wife Ana (Susana Zabaleta) is a good bit more interested in the pleasures of the flesh, leading to no small amount of conflict. Tensions increase when Tomas (Demián Bichir), an old friend of the couple and Ana’s former lover, comes to pay an extended visit. Elsewhere in the neighborhood, Andrea (Cecilia Suarez) is angry with her husband Miguel (Jorge Salinas), who doesn’t appear to put much stock in monogamy, and she’s even more annoyed when he announces that his former girlfriend Maria (Monica Dionne), who has just left her husband, will be their house guest for a while. After a great deal of arguing and soul searching, a temporary agreement is reached between the two couples and their friends — the men will stay in one apartment while the women will stay in another until cooler heads prevail. Sexo, Pudor Y Lagrimas/Sex, Shame and Tears was written and directed by Antonio Serrano, who adapted his own successful stage play. ~ Mark Deming, All Movie Guide

My report: this is not the kind of film the average movie person would like. The first half of the film is very boring, or serious I should say. It start getting more interesting on the second half, but don’t expect major action. I liked the end. I think it’s necessary to understand the history behind what was happening in order to really appreciate this movie. The entire movie was in German.

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About it: A man who has devoted his life to ferreting out “dangerous” characters is thrown into a quandary when he investigates a man who poses no threat in this drama, the first feature from German filmmaker Florian Henckel von Donnersmarck. It’s 1984, and Capt. Gerd Wiesler (Ulrich Mühe) is an agent of the Stasi, the East German Secret Police. Weisler carefully and dispassionately investigates people who might be deemed some sort of threat to the state. Shortly after Weisler’s former classmate, Lt. Col. Grubitz (Ulrich Tukur), invites him to a theatrical piece by celebrated East German playwright Georg Dreyman (Sebastian Koch), Minister Bruno Hempf (Thomas Thieme) informs Weisler that he suspects Dreyman of political dissidence, and wonders if this renowned patriot is all that he seems to be. As it turns out, Hempf has something of an ulterior motive for trying to pin something on Dreyman: a deep-seated infatuation with Christa-Maria Sieland (Martina Gedeck), Dreyman’s girlfriend. Nevertheless, Grubitz, who is anxious to further his career, appoints Weisler to spy on the gentleman with his help. Weisler plants listening devices in Dreyman’s apartment and begins shadowing the writer. As Weisler monitors Dreyman’s daily life, however (from a secret surveillance station in the gentleman’s attic), he discovers the writer is one of the few East Germans who genuinely believes in his leaders. This changes over time, however, as Dreyman discovers that Christa-Maria is being blackmailed into a sexual relationship with Hempf, and one of Dreyman’s friends, stage director Albert Jerska (Volkmar Kleinert), is driven to suicide after himself being blackballed by the government. Dreyman’s loyalty thus shifts away from the East German government, and he anonymously posts an anti-establishment piece in a major newspaper which rouses the fury of government officials. Meanwhile, Weisler becomes deeply emotionally drawn into the lives of Dreyman and Sieland, and becomes something of an anti-establishment figure himself, embracing freedom of thought and expression. A major box-office success in Germany, Das Leben der Anderen (aka The Lives of Others) received its North American premiere at the 2006 Toronto Film Festival. ~ Mark Deming, All Movie Guide

My report: I’ve seen this movie before. I didn’t realize it until I started watching it and remembering little pieces of it. I guess that’s how memorable it was the first time. I was a good movie, but nothing about it worth remembering.

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About it: Ridley Scott directed this epic-scale historical drama inspired by the events of the Crusades of the 12th century. Balian (Orlando Bloom) is a humble French blacksmith who is searching for a reason to go on after the death of his wife and children. Balian is approached by Godfrey of Ibelin (Liam Neeson), a fabled knight who has briefly returned home after serving in the East. Godfrey informs Balian that he is his true father, and urges the blacksmith to join him as he and his forces journey to Jerusalem to help defend the holy city. Balian accepts, and he and Godfrey arrive during the lull between the Second and Third Crusades, in which the city is enjoying a fragile peace. Both Christian and Muslim forces are temporarily in retreat, thanks to the wisdom of the Christian monarch King Baldwin IV (Edward Norton), his second-in-command Tiberias (Jeremy Irons), and Muslim potentate Saladin (Ghassan Massoud). Violent agitators on both sides are foolishly eager to end the peace in a bid for greater power, and Saladin bows to pressures from Muslim factions; Godfrey is one of a handful of brave knights who has thrown his allegiance behind Baldwin IV and his community of diversity, and Balian joins him as they use their skills as warriors in a bid to build a lasting peace. Kingdom of Heaven also stars Eva Green as the princess Sibylla, David Thewlis as Hospitaler the priest, and Brendan Gleeson as Reynald. ~ Mark Deming, All Movie Guide

My report: I liked the story. I wonder if anything like that has ever really happened… I think the entire cast did a great job and I was entertained from beginning to end. It wasn’t the first time I watched this movie and usually I don’t watch movies twice ’cause I find them too boring. This is not one of them.

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About it: Jonathan Demme directed this updated remake of John Frankenheimer’s 1962 cult favorite The Manchurian Candidate, a pioneering examination of political conspiracy and psychological reconditioning. Major Bennett Marco (Denzel Washington) and Sergeant Raymond Shaw (Liev Schreiber) are two soldiers who served in the same company during Operation Desert Storm, but their paths following their tours of duty have been very different. Shaw, the son of powerful congresswoman Eleanor Shaw (Meryl Streep), has used his reputation as a war hero to quickly scale the ladder of American politics, and with the help of his mother earns the Vice Presidential nomination. Marco, on the other hand, has been troubled with mental illness, and is convinced that something strange happened to him and his compatriots during the war. As Marco struggles to find the truth behind his nightmares and emotional torment, he unearths some disturbing facts about how his mind and body have been reworked by shadowy forces, as well as those of his fellow soldiers — including Raymond Shaw. Featuring a stellar supporting cast (including Jon Voight, Miguel Ferrer, Ted Levine, and Dean Stockwell), The Manchurian Candidate credits George Axelrod’s screenplay for the 1962 film as its source, as opposed to Richard Condon’s 1959 novel from which Axelrod adapted his script. ~ Mark Deming, All Movie Guide

My report: I appreciate movies like this one. I imagine it takes a lot to make a movie like this. I liked the story and I couldn’t stand the fact that Elizabeth wasn’t a true leader for more than half the movie. So yeah I was into the movie from beginning to end. And that’s not much to ask for, is it?

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About it: Actress Cate Blanchett returns to her Oscar-nominated role and director Shekhar Kapur steps back into the director’s chair for this belated sequel to the critically acclaimed 1998 biopic Elizabeth that explores the 16th century romance between the “Virgin Queen” and noted adventurer Sir Walter Raleigh (Clive Owen). Michael Hirst teams with William Nicholson to pen the screenplay, and actor Geoffrey Rush returns to the role of Sir Francis Walsingham. ~ Jason Buchanan, All Movie Guide

What I like: I just saw one of her movies, “Volver”, and damn those are nice boobs! She’s got good legs too. I got a little something for older women ’cause like many others in here, this one is seven years older than me. The Spanish accent is cool.

What I don’t like: no ass! I need that.

My report: I really like this movie. One of my favorite parts is when Denzel plays with his two guns, hitting them together before using them. Eva Mendes is on it, what else can I really ask for. Oh I know… she also appeared naked. Only her naked on my bed can top that. The story was great and credible.

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About it: The Fast and the Furious (2001) screenwriter David Ayer follows up that fast-paced action hit with this gritty cop drama from director Antoine Fuqua. Ethan Hawke stars as Jake Hoyt, a fresh-faced Los Angeles Police Department rookie anxious to join the elite narcotics squad headed up by 13-year veteran Detective Sergeant Alonzo Harris (Denzel Washington). Harris has agreed to give Hoyt a shot at joining his team with a one-day ride-along during which Hoyt must prove his mettle. As the day wears on, however, it becomes increasingly clear to the greenhorn that his experienced mentor has blurred the line between right and wrong to an alarming degree, enforcing his own morally compromised code of ethics and street justice. As he struggles with his conscience, an increasingly alarmed Hoyt begins to suspect that he’s not really being given an audition at all; he’s being set up as the fall guy in an elaborate scheme. Training Day co-stars Tom Berenger, Scott Glenn, and recording artists Snoop Dogg, Dr. Dre, and Macy Gray. ~ Karl Williams, All Movie Guide